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22 Features From Made On YouTube Ranked ✅
Channeling my inner-Buzzfeed to list and rank my favorite 22 features announced at YouTube's annual Made On event. In my estimation, it was the most exciting group of announcements by a major social platform since YouTube announced the YouTube Partner Program that allowed creators to participate in video monetization through ads.
Why We Built Stealth Talent 🕵🏼♀️
Greetings from sunny Monte Carlo, where I'm speaking at the 2025 Microsoft MSN Summit. Along with a new company newsletter refresh! Stealth Talent is now out of stealth, and we're bringing together the best creators and entrepreneurs to build generational companies. Because the spirit of 'The Creator Rep' newsletter is providing value to representatives of creators, and we're building a creator representation company, I'm going to get overly transparent and tell you exactly what we're doing, why we're doing it, and how we could fail.
The TikTok to SNL Pipeline 👷🏼♀️
Five new hires at SNL. Five faces you've probably seen on your FYP page. This is the most internet-heavy SNL additions we've seen on a show that has thrived on YouTube for decades. The virality of 'Lazy Sunday' made sketch comedy on the platform cool, which stayed the norm for the first 10 years of growth. And although SNL has had some internet-heavy past hires (I was watching Sarah Sherman a lot back when she was Sarah Squirm online), we're seeing the tipping point tip even harder. Does this mean TikTok is the new Second City?
How To Run a Talent Representation Org 💌
In honor of Labor Day in the U.S., I've been reflecting on what I've learned from working as an executive at six different digital organizations, where my primary role involved building careers for creators. None of these were failures (all of my start up failures were when I ventured out of the creator space), but some grew faster than others. And, more importantly, I'm more proud of some than others. I demoed bits of this in my LinkedIn post yesterday, but I wanted to make a special edition where I focused on my most important learnings from my time in this space.
Will AI Save Us or Destroy Us? 🤷🏻♂️
Markiplier is doing the AI work capitalism can't: launching a 501c3 non-profit with industry experts called Real Good AI, with a goal to figure out how AI can be used for humanitarian means. I also attended a meeting-of-the-minds at UCLA this week with one hundred of LA's leading creator economy AI experts, and when asked for a show of hands around who is an AI pessimist, I was only one of a handful (though my feelings are more complicated than that black/white sampling). Let's look at some likely outcomes from the AI revolution.
Digital Media's Blockbuster Era 👑
With only 24 hours of advance notice, Taylor Swift appeared on her boyfriend Travis Kelce's sports podcast 'New Heights' to officially announce her 12th studio album 'Life of a Showgirl'. The result? 1.2m concurrent viewers and 11m views in 24 hours. And the internet is abuzz with 'K-Pop Demon Hunter', the movie that topped 200m views on Netflix and already amassed well over 1 billion streams on Spotify in two months since its release. Oh, and this week, MrBeast did a live stream on Kick and raised over $12m dollars. Are we entering our digital blockbuster era?
Roblox Reaches 1 Trillion Views 🤯
If every man, woman, and child on Earth spent their entire day watching 100 YouTube videos of Roblox, we'd still be 180b views short. Roblox isn't a game. It's a platform where kids (80% of users are under 18) socialize, monetize, and, yes, play games. Not to be confused with the very similar Minecraft, another platform that hit 1 trillion YouTube views back in 2021. What does this milestone teach us about how games should view the creator economy?
Charity is SO Hot Right Now 👼🏼
Ryan Trahan raised over $11m for St. Jude's by visiting 50 states in 50 days. MrBeast and Mark Rober announced #TeamWater to raise $40m to bring clean water to households. And don't sleep on creators like DrLupo and Jacksepticeye, gamers with yearly initiatives who have each raised tens of millions of dollars. Charity is hot right now, and I'll get a bit cynical and break down why now is the perfect time.
Sydney Sweeney is Not an Outlier 👖
A lot of ink was spilled this week about Sydney Sweeney's dominance as the 'it' influencer, following a drop of her American Eagle ad, which led to a 22% bump in the stock price, adding a projected $228 million in valuation to the company. Yes, this is influencer marketing. No, this is not an anomaly. I'll break down what happened.
Mia Zelu is Not Real 🤖
The real winner at Wimbledon: Mia Zelu's puppet master. Or puppet masters. At the time of this writing, it has not been released whether this AI model was created by a brand or a 14-year-old with a Midjourney subscription. Both feel equally plausible. So what does this 18-week-old account with millions of likes and enviable media virality say about the future of AI creators?
Is AI Welcome in Social Content? 🤖
YouTube has clarified its stance on its recent demonetization announcement. When they announced plans to demonetize 'repetitious content,' they actually meant 'inauthentic content,' which I find even more confusing. They also clarified that they still welcome AI content. Meanwhile, other platforms vary from a full embrace of AI to a full rebuttal, sometimes both on the same platform. So, where do the platforms currently stand with AI?
Are All Talent Managers the Same? 🤷🏻♂️
July 4 always makes for a slow news week as most execs are on some sort of yacht in some sort of amazing place. So I figured it would be a great time to reflect on talent management companies and ask the operative question creators are always asking each other: what's the difference? I'll cover a few things creators should know before they sign, and discuss how some of the top orgs are differentiating themselves.